We watched through sound-proof toughened glass at the prisoner while the speakers inside the cell played. By the third iteration of the Cassilda-Zahn melodic progressions his internal skin structures were already starting to rupture and break down in hazy overlapping layers that obscured his features the more he struggled with the restraints. The Hyadic interludes that came shortly after acted as a mild paralytic that made the prisoner’s dissolution into undifferentiated plasma and slime laced with bony spheres all the more disturbing.
The sluices came on shortly after to wash the sludge away, and the bony remnants rolled into gulleys at the edges of the room like billiard balls. The implied threat wasn’t even particularly implied as we were marched on our way past the gallery with its rows and rows of bone decorations on shelves.
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